The film industry seems to be passing through yet another phase of ‘nunspoloitaion’ movies. From the infamous The Nun in 2018 to Benedetta (2021), Prey For The Devil (2022), and The Nun 2 (2023), to this year’s Immaculate and The First Omen, the schlock bandwagon has not stopped. As is now becoming usual in such … Continue reading ▪Nuns in the zeitgeist